Current location:HOME > Atlein Fall 2025 ReadytoWear: Leaning Into the Curve

Atlein Fall 2025 ReadytoWear: Leaning Into the Curve

2025-03-13 10:33:58 source:Performance T-Shirts & Vests
Saint Laurent Eyewear SL M140 sunglasses Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights Havana brown acetate rectangle frame grey tinted lenses UV-protective lenses signature Cassandre logo plaque straight arms straight tips These glasses come with a protective case. Composition Acetate The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 25635744 Brand style ID: SLM140

Atlein Fall 2025 ReadytoWear: Leaning Into the Curve

Desmond & Dempsey Alpen Floral Long Sleeve Reversible Jacket Quilted Lounge Set

PINKO long-sleeve satin shirt Highlights powder pink satin finish silver-tone stud detailing piped-trim detailing spread collar front button fastening drop shoulder long sleeves buttoned cuffs chest patch pocket straight hem Composition Acetate The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Hand Wash The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 23887334 Brand style ID: 104242A24V

Drop-Crotch Shorts

Parts of Four Sistema grandidierite sterling silver ring Highlights black oxidised sterling silver flat band three inset grandidierites engraved detail oxidised finish matte finish ring band width 9mm Composition Sterling Silver, Oxidised Sterling Silver, Stone The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 22810793 Brand style ID: 200124MAKAGRAN

Sculptural forms influenced Antonin Tron for Atlein’s fall collection, ranging from the Venus figurines from the Paleolithic era, which some archaeologists now suggest as signs of early matriarchal societies and goddess-led pantheons, to the works of Romanian artist Constantin Brâncuși and Madame Grès. The French designer’s throughline for the season was “developing the Atlein vocabulary beyond dresses,” he said backstage after the show. To that end, he developed outerwear even further, which grew to include floor-grazing peacoats, a long teddy coat, padded satin numbers with shawl collars or sack-back blousons. Their lush hands echoed the supple fluidity of his signature viscose jersey and sheer draped silhouettes, in which he played with asymmetric draping and gathers that further highlighted feminine curves. Daywear was another proposition he was keen to develop, not only to address the 9-to-5 crowd but also as a way to make his designs more suited to a range of body types and proportions, he added. That didn’t mean compromising on his sensual, draped works. You May Also Like Cases in point: a trio of draped sheer silhouettes, at first glance gowns, turned out to be body suits with long mermaid skirts. Other options included leggings, fluid sheer shirts and tailored trousers cut generously on the leg.   While evening dresses continue to be the majority of Tron’s nine-year-old label, such sculptural separates cemented an impression of growing maturity and broadening audience.

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